Artemis

The world's most used directors viewfinder.

The first digital viewfinder for smartphones. The pro's choice for two decades, used by Oscar winners and film students alike.

In the hands of

Some of the most respected cinematographers and directors working today.

"I love to tailor Artemis for each shoot. It is so precise — invaluable on scouts and when shooting."

Roger Deakins, ASC, BSC
Cinematographer — Blade Runner 2049, 1917, Skyfall, Sicario

"Not only do I frame every shot with Artemis, I use it to record blocking. It's a premier communication tool."

Matthew "Matti" Libatique, ASC
Cinematographer — Maestro, A Star Is Born, Black Swan

"Artemis takes all the guesswork out of planning. It's a game-changer."

Nicolas Winding Refn
Director — Drive, The Neon Demon, Bronson

"Artemis is something I've waited for. It helps me plan shots faster."

Rachel Morrison, ASC
Cinematographer — Black Panther, Mudbound, Fruitvale Station

"A much more precise way of communicating with my director than an optical viewfinder."

Darius Khondji, ASC, AFC
Cinematographer — TK — top credits (e.g. Se7en, Uncut Gems, Bardo)

"It couldn't be easier to use."

John Mathieson, BSC
Cinematographer — TK — top credits (e.g. Gladiator, Logan, Phantom of the Opera)

Comprehensive

A continually expanding database of manufacturers, formats, and extractions, updated weekly.

Flexible

Built-in looks emulate LUTs. Import Photoshop curves. Stage virtual character standins, export PDFs and storyboards.

The pro's choice

The first digital viewfinder for smartphones, and still the one Oscar winners reach for first.

Download on the App Store