Artemis Prime

Any lens. Any mount. Any format.

The only director's finder able to use any lens mount (PL, LPL, PV, SP70), any lens — spherical or anamorphic, of any squeeze ratio — and virtually all camera formats, film and digital.

Universal compatibility

Built for every camera on the truck.

Over 6,500 camera formats. Full-frame and large-format cameras — DXL, LF, Venice, Alexa 65. Whatever the production is shooting, Prime sees it the way it'll see it.

Sion Michel ACS framing through Artemis Prime on location

In the hands of

Cinematographers using Prime on working sets.

"With Artemis Prime, getting information to the relevant crew is simple and precise. It not only allows us more creative freedom, it enables greater workflow efficiency."

Jaron Presant, ASC
Cinematographer — Poker Face, Glass Onion, Star Wars: The Last Jedi

"I used Artemis Prime during scouting for Ophelia with a full set of Hawk Anamorphic lenses. This allowed us to be very specific with planning our shot construction and coverage, which meant we could work faster and focus more creative energy on set into other things."

Denson Baker, ACS, NZCS
Cinematographer — Ophelia, The Luminaries, Get Out
Linus Sandgren ASC, FSF framing through Artemis Prime on the set of No Time to Die
Linus Sandgren ASC, FSF on No Time to Die
Jim McConkey holding Artemis Prime on the set of The Marvelous Mrs. Maisel
Jim McConkey on The Marvelous Mrs. Maisel
A cinematographer framing through Artemis Prime on a period drama set
Sion Michel ACS

Where to rent

Available through the world's leading rental houses.

Panavision, ARRI, Keslow, Vantage, and every other major camera rental house carries Artemis Prime. Ask for it by name on your next production.